Spot the animator
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Spot the animator
The best animators are often not highly technical, but they are great observers of behaviour

Cats Recruit in The Straits Times - June 15, 2008
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WHEN you're sitting in a restaurant waiting for someone, what do you do? Check your diary? Make a phone call? Read the menu several times?

A good animator wouldn't do any of those things.

Keen observer
He would be watching the other diners, observing how they behave, noting the quirkiness of individuals and mentally exaggerating their activities to become an amusing subject for animation. Almost everything people do can be made funny and interesting.

A budding animator might even talk to someone else at the next table - if that person was alone and he wasn't interrupting.

The ability to understand and communicate with your fellow human beings is essential for a budding creative genius.


What he would be noticing is timing: timing of their reactions, timing of their changes in mood, their facial expressions, their hesitations.

He would want to spot the pace of their thinking and how they set out their personality to be attractive, attentive, commanding or even submissive. Timing is one of the keys to a good animator's success.

Full of surprises
Surprise is the biggest single contributor to entertainment and successful animation.

Mostly, we see a plot unfolding, we observe characters being set up to play specific roles in the story, and we anticipate the inevitable climax at the end.

What makes for great creative work is the unexpected, the contradictory characters who suddenly behave in a way they have not exhibited before.

The timid become ferocious, the slow-witted solve intractable problems, the clever slip on the proverbial banana skin. Good animation starts with good stories, expertly interpreted.

Creative, not geeky
This ability to communicate is often at odds with the personalities of highly technical people who are sometimes loners, absorbed in their technological world, oblivious of what is going on around them.

That doesn't make them uncreative but it does deny them the greatest source of inspiration - ordinary people doing ordinary things.

So the best animators are often not highly technical at all. They will, however, be totally absorbed in their work, willing to keep their heads down for a long time.

Female animators should have been called Patience, and men, Perseverance.

Creativity is not, of course, confined to one educational level. Some of the most creative people in the world have been illiterate.

But it does help to have had a good education - post-secondary qualifications will usually make a good animator even better.

Like all work in this world, the best is done by the most passionate. If you are passionate about animation, you will probably be very good at it. What's more, you will have tremendous, rewarding fun. That's a big plus.